About the author

Born in Brazil of Italian origin, Chris Carter studied psychology and criminal behaviour at the University of Michigan. As a member of the Michigan State District Attorney’s Criminal Psychology team, he interviewed and studied many criminals, including serial and multiple homicide offenders with life-imprisonment convictions.

Having departed for Los Angeles in the early 1990s, Chris spent ten years as a guitarist for numerous rock bands before leaving the music business to write full-time. He now lives in London and is a Top Ten Sunday Times bestselling author.

Visit www.chriscarterbooks.com or find him on Facebook.

Also by Chris Carter

The Crucifix Killer

The Executioner

The Night Stalker

The Death Sculptor

First published in Great Britain by Simon & Schuster UK Ltd, 2013

A CBS Company

Copyright © Chris Carter, 2013

This book is copyright under the Berne Convention.

No reproduction without permission.

® and © 1997 Simon & Schuster Inc. All rights reserved.

The right of Chris Carter to be identified as author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act, 1988.

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A CIP catalogue record for this book is available from the British Library

Hardback ISBN 978-0-85720-305-2

Trade Paperback ISBN 978-0-85720-306-9

Ebook ISBN 978-0-85720-309-0

This book is a work of fiction. Names, characters, places and incidents are either a product of the author’s imagination or are used fictitiously. Any resemblance to actual people living or dead, events or locales is entirely coincidental.

Typeset by Hewer Text UK Ltd, Edinburgh

Printed and bound in Great Britain by

Contents

One

Two

Three

Four

Five

Six

Seven

Eight

Nine

Ten

Eleven

Twelve

Thirteen

Fourteen

Fifteen

Sixteen

Seventeen

Eighteen

Nineteen

Twenty

Twenty-One

Twenty-Two

Twenty-Three

Twenty-Four

Twenty-Five

Twenty-Six

Twenty-Seven

Twenty-Eight

Twenty-Nine

Thirty

Thirty-One

Thirty-Two

Thirty-Three

Thirty-Four

Thirty-Five

Thirty-Six

Thirty-Seven

Thirty-Eight

Thirty-Nine

Forty

Forty-One

Forty-Two

Forty-Three

Forty-Four

Forty-Five

Forty-Six

Forty-Seven

Forty-Eight

Forty-Nine

Fifty

Fifty-One

Fifty-Two

Fifty-Three

Fifty-Four

Fifty-Five

Fifty-Six

Fifty-Seven

Fifty-Eight

Fifty-Nine

Sixty

Sixty-One

Sixty-Two

Sixty-Three

Sixty-Four

Sixty-Five

Sixty-Six

Sixty-Seven

Sixty-Eight

Sixty-Nine

Seventy

Seventy-One

Seventy-Two

Seventy-Three

Seventy-Four

Seventy-Five

Seventy-Six

Seventy-Seven

Seventy-Eight

Seventy-Nine

Eighty

Eighty-One

Eighty-Two

Eighty-Three

Eighty-Four

Eighty-Five

Eighty-Six

Eighty-Seven

Eighty-Eight

Eighty-Nine

Ninety

Ninety-One

Ninety-Two

Ninety-Three

Ninety-Four

Ninety-Five

Ninety-Six

Ninety-Seven

Ninety-Eight

Ninety-Nine

One Hundred

One Hundred and One

One Hundred and Two

One Hundred and Three

One Hundred and Four

One Hundred and Five

One Hundred and Six

One Hundred and Seven

One Hundred and Eight

One Hundred and Nine

One Hundred and Ten

One Hundred and Eleven

One Hundred and Twelve

One Hundred and Thirteen

One Hundred and Fourteen

One Hundred and Fifteen

One Hundred and Sixteen

One Hundred and Seventeen

One Hundred and Eighteen

One

A single shot to the back of the head, execution style. Many people consider it a very violent way to die. But the truth is – it isn’t. At least not for the victim.

A 9mm bullet will enter someone’s skull and exit at the other side in three ten-thousandths of a second. It will shatter the cranium and rupture through the subject’s brain matter so fast the nervous system has no time to register any pain. If the angle in which the bullet enters the head is correct, the bullet should splice the cerebral cortex, the cerebellum, even the thalamus in such a way that the brain will cease functioning, resulting in instant death. If the angle of the shot is wrong, the victim might survive, but not without extensive brain damage. The entry wound should be no larger than a small grape, but the exit wound could be as large as a tennis ball, depending on the type of bullet used.

The male victim on the photograph Detective Robert Hunter of the LAPD Robbery Homicide Division was looking at had died instantly. The bullet had transversed his entire skull, rupturing the cerebellum together with the temporal and the frontal lobes, causing fatal brain damage in three ten-thousandths of a second. Less than a full second later he was dead on the ground.

The case wasn’t Hunter’s; it belonged to Detective Terry Radley in the main detectives’ floor, but the investigation photos had ended up on Hunter’s desk by mistake. As he returned the photograph to the case file, the phone on his desk rang.

‘Detective Hunter, Homicide Special,’ he answered, half expecting it to be Detective Radley after the photo file.

Silence.

‘Hello?’

‘Is this Detective Robert Hunter?’ The raspy voice on the other end was male, the tone calm.

‘Yes, this is Detective Robert Hunter. Can I help you?’

Hunter heard the caller breathe out.

‘That’s what we’re going to find out, Detective.’